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TGRI RADIO – EPISODE 6: The DJ Stereo Faith Conversation

7 Oct

Mosey your mouse over to the left column on the TGRI homepage and listen to the most recent episode of TGRI Radio featuring Editor-in-Chief Marcus Dowling and DC music institution DJ Stereo Faith.
As most of you reading this will know, Stereo Faith’s been having a rough time as of late. A little over a month ago, he underwent surgery to remove a brain tumor that was pressed down upon the auditory nerves of his right ear, an ironic twist of faith for someone so dependent upon his hearing. The fantastic news is that he’s recovered, and will be DJing this Friday at Mousetrap. Before then, however, listen as Marcus and Stereo Faith discuss said surgery and convalescence, Stereo Faith’s career, and DC’s musical history.

KEEPIN’ THE FAITH an enormous success and the best DC DJ night of 2010.

5 Aug

Government Issue – Plain to See (Stereo Faith Intro) Trevor Martin’s HUGE night closer!

There are indeed occasions where words cannot effectively cover how massive something was. Many say the key to journalism is to efficiently use wordplay to be able to conjure images that make actions come to life. I don’t think those words exist to describe last night. If you gave of yourself entirely, gave in to the concussive impact of the U Street Music Hall Soundsystem, and found the cause for the event right and just, then you literally felt every emotion music allows humanity to feel. In six hours, kingpin selectors ALL played sets that were ethereal, sublime and completely and undeniably the best of their kind heard in the city all year. When asking every single DJ to a man what propelled this destructive blast of soulsonic force out of them? They all had the same answer: “I had to go in for Steve.” Stone, deadfaced serious each and every time. The delirium caused by the level of excellence of these sets proved an undeniable fact to be true. Steven McPherson, aka DJ Stereo Faith is maybe one of the best dudes ever in underground music. If we harness the force of sound and human energy contained in U Street Music Hall last night, there’s no doubt that not only will Stereo Faith overcome his brain tumor, but he will come back renewed, with a vigor and excellence never before seen or heard.

All of the folks came out. Taxlo’s Simon Phoenix and Cullen Stalin. The Brick Bandits/Mad Decent afilliates Dirty South Joe, DJ Sega and Guns Garcia. Crossfaded Bacon’s Uncle Jesse. The Nouveau Riche crew. Tabi Bonney. Representatives of every major clothing brand, venue and independent record label in the Northeast. Nobody’s a celebrity on the underground, but game recognize game and all respect all. It was an event for the ages for a man of all time.

Will Eastman opened huge with some punk rock. Jerome Baker played classic house, then Scottie B started to make things serious. Scottie plays these house sets every week at the party he curates at Bmore’s Metro Gallery with Cullen Stalin that are so great that you almost want to feel depressed that you got into the party for free. Scottie’s excellence is so understated, his style so impeccable that you lose sight of how magnificent he is at what he does because it doesn’t slam you over the head, but instead causes your feet to dance for themselves.

Speaking of, I thought Dave Nada had forgotten how to punch people in the face with bass and pistol whip them with rhythm during a set. The Nadastrom combination has in many ways smoothed out Dave’s edges and taught him how to harness his never-ending desire to cause criminal and passionate energy from playing club music. Last night, homie threw down the gloves and engaged a throng of people ready to wild out in a musical battle of Survival of the Fittest that he won. It felt like being transported back to Krunk for an hour. Dave’s club edit of the MC5’s “Kick Out the Jams” fell into classic Blaqstarr, which headbutted KW Griff and Porkchop which piledrove DJ Class and elbowed DJ Booman and Diamond K in the face. The hardcore fanatic came back out to play last night, and, yeah. When it comes to club music, Nada’s still got it.

On any other night, that set would be the star. But Jesse Tittsworth is one of the owners of the venue, and there was absolutely no way he would be upstaged. Tittsworth cut his teeth as a DJ on drum n bass and hip hop. Therefore, it goes without saying that in going back to his roots, those would be the hallmarks of his excellence for the night. Tittsworth looked like a kid at Christmas spinning the obscenely percussive music, as always engaging in an epic battle of fisticuffs with the bass register of the U Hall soundsystem. Last night was a time for mainstream club folks who have never been to U hall to get a taste of what the room has to offer, and I think that when the sound waves from the bass began to make people’s hair stand on end and skin begin to vibrate, and nothing was lost in the quality and levels of the sound, people were shocked, amazed, and kept on dancing. When the lights hit these people in a certain manner, it appeared to be a sea of psychedelic drones descending upon the DJ booth. It was proof that the sound has a possibility of truly making converts in the musical mainstream, and was utterly amazing.

Trevor Martin and Jerome Baker III stood up and became superhuman last night. Neither did anything particularly different than what they usually do, Martin holding down the mainstream spots and Baker one of the crown princes of “jiggy” posh locales around town and cruise ships as well (so serious, he just did a tour as a DJ on a cruise ship). Given the nature of the event and the hyperkinetic energy of the room, Martin and Baker proved that mainstream club style, when delivered by spinners who know what they are doing, can read a crowd, not let the energy dip, and take risks (Baker dropped Zombie Nation’s “Kernkraft 400” AND Darude’s “Sandstorm”), can make phenomenal feats of magic overwhelm a crowd.

It’s often been said in this gestation period for U Street Music Hall that the venue can’t be everything to everyone. Well, what if you’re honoring someone who already is. I guess for one night, it’s possible to make an exception to the rule.

SEAL OF APPROVAL (DC) – KEEPING THE FAITH BENEFIT FOR DJ STEREO FAITH – 8/4/10

4 Aug

Though it is completely ridiculous, don’t just come for the lineup.

There are a lot of new jacks who don’t get it. Steven McPherson, otherwise known as DJ Stereo Faith IS DC. Before there was a Tittsworth and Nadastrom, before there was Nouveau Riche, before there were hipsters and there were just hip people, there was Stereo Faith. The homie knows how to move crowds. Shocked or doubtful of how or why this is the case? He grew up with DC, and carries it with him every day of his life. Some folks in DC are content to stop with just being big fans of Northeast Groovers and Rare Essence, and maybe being into a local rapper or two. There’s yet other folks in DC who swear at the altar of Minor Threat and Fugazi, and bang Trouble Funk because they were down with that scene. There are other folks who know that Sam Burns is the truth, and may be open to occasionally hearing some reggae, African influenced or Baltimore club music. Imagine a dude existing who was into all of that, and who soaked himself thoroughly in all of those scenes, and when he wrung himself dry afterward, brilliant combinations of those musical styles released themselves. That’s Stereo Faith. He’s a DJ’s DJ, and easily one of the most respected men in the history of DC music.

This tower of power and sound bwoy extreme has a brain tumor and needs surgery, and there’s a party going down to cover his expenses? A minimum $5 cover? If you enjoy nightlife culture or DC music, this is the place to be. Respect should be paid and assistance should be given because if you like to dance, and dance in DC, this man is your brother. If you have ever heard this man spin and are not from DC, he is probably a supreme influence to someone you love, so this man is your cousin. Underground culture at it’s core is a family of people united like the Underground Railroad. Each city, each stop and certain people are an entry to a portal that takes a united family of listeners and dancers to a different, yet still unified space and place. Steven McPherson is an integral member of the East coast, and on a larger level national, and when you look at how influences are passed, international underground. To keep it DC, y’all are straight bamas if you don’t roll through.

SEAL OF APPROVAL (DC) – U Street – FLASHING LIGHTS & ROCKERS – 7/29/10

29 Jul

So I’m just going to make the logical assumption here that you already know that Deadmau5 is headlining at a sold out 9:30 Club with Pleasurekraft and yes, Will Eastman tonight and tomorrow. We’ll have that review up on Friday. I saw the show last night, and as always Deadmau5 alternates between being tremendously well marketed and sonically fun, yet cliched at the exact same time. However, five of the best DJs on the east coast are within a three block span of each other tonight. And, even better, it’s possible to see them ALL IN ONE NIGHT as Stereo Faith and Jerome Baker III bring a one off called “Rockers” to new spot Dodge City from 9-2, 21+, no cover, and Nick Catchdubs, Jess Jubilee and DJ Ayres bring back Flashing Lights from NYC to DC at U Street Music Hall from 10-2, 18+, $8 at the door.

Kings reign supreme. Stereo Faith is a premier DJ of the DC scene. He’s a major traveller, routinely in Philly, NYC, VA and Bmore as well, and even greater than that, he’s Tabi Bonney’s touring DJ. Jerome Baker 3rd doesn’t make noise, he cashes checks. An island cruise liner tour? Playing the legendary Do Over in LA for a second time? Spinning the jiggiest of the bottle service spots? Being a top notch selector, turntable technician and a noted teacher and crafter of local DJ talent? That’s how Jerome Baker III rolls. Put Stereo and Jerome in the same place at the same time? And let them play whatever they want? Guaranteed win.

DJ Ayres has been holding down legendary NYC party The Rub for seven years, and is co-owner of the most important imprint in East coast underground EDM of the moment, T & A Recordings with U Hall co-owner Jesse Tittsworth. Nick Catchdubs released one of the dopest hip hop remixes of all time of Kanye West’s “Champion”, designed the Mad Decent Records logo, and is one of the founders of the ever important and always forward trending Fool’s Gold imprint. Jess Jubilee? Well, if you like copious, large, skull shattering, mind bending and soul crushing levels of bass, the Miami native is well equipped to deliver in that department, be it dubstep, grime, UK funky or two step, she goes hard. I had the opportunity before the first Flashing Lights DC in April to sit down with Catchdubs and Ayres and discuss the nature of Flashing Lights and thoughts on dance music in general.

****BONUS****

Jerome Baker III just dropped a mix of the best of the collaborations between Snoop Dogg and The Neptunes. Cookout music.

THE DROP: Sonar meets U Hall in Sidney Samson and Twista’s "Riverside" video!

29 Jun

“Riverside Motherfucker!”

In December 2009, Sidney Samson’s enormous Dutch house hit “Riverside” received rap treatment from Dutch hip hop duo Wizard Sleeve. Having been fans of “Riverside” and it’s rubbery bassline and synth laden godness for some time, we at TGRIOnline.com were of the opinion here at the site that a US party rapper with a flow that could manage rhyming over 120 BPMs would slay this track. Enter Chicago’s Twista, who entered the Guinness Book of World Records in 1992 and the world’s fastest rhymer. Yeah, he’ll likely fit the bill.

The video has dropped for this release, and to our pleasant surprise, features heavy hitters of the Washington, DC and Baltimore scenes. Rye Rye and her dancers and DJ Lemz hold down Bmore, while DC is represented notably by U Street Music Hall co-owner DJ Tittsworth, DJ Stereofaith, DJ Jackie O, Nouveau Riche’s Gavin Holland, and a veritable plethora of folks that one would see on any given night in the underground dance scene of either the Capital or Charm city. If we’ve said it before, we’ll say it 1,000 times. DC is up next on the underground radar. Be it music, fashion or any other form of entertainment, DC is always well represented and/or at the forefront of every major underground rising craze of the moment. This video proves that completely. Props to 8112 Studios and to the crew of local folks that aided in the success of this venture.

REVIEW/OPINION: Salad Days Punk Mixtape Release Party @ U Street Music Hall – 5/9/10

11 May

“Happy Mother’s Day to the mothers, and to the motherfuckers.” – John Stabb of Government Issue prior to introducing Salad Days headliners The Death Set

So, Sunday’s “Salad Days” Dave Nada x Stereo Faith x Mad Decent x Cmonwealth punk mixtape release event at the U Street Music Hall wasn’t a sell out as I portended. Yep, even Nada and Stereo, two of the city’s more consistent top draws couldn’t overcome the lure of buffet lunches with the ones responsible for giving life. Maybe I’m too deep into music to understand that yes, Sunday was Mother’s Day, and that as cool as most parents are, most parents aren’t cool enough to want to hear Millions of Dead Cops as played by a spastic, two-stepping and moshing DJ. Most parents don’t want to hear GG Allin’s brand of nihilistic and sadomasochistic punk madness either. A few Gay Cowboys in Bondage jams? Probably not on the menu either.

But for the thirty or so people in that room on Sunday afternoon, it was a catharsis. It was the return, for a second, and hopefully for many more minutes and hours to come to U Street, NW, of raucous, local punk energy. Yes, before you dare say anything, Positive Force DC still exists, and yes, they still put on great shows. Just last month at St. Stephens’ Church, Titus Andronicus came to town and blew many away with their Civil War inspired brand of intelligent disaster. But to see a band like the Death Set, lanky, charismatic Australian powerhouse Johnny Siera at the lead, Daniel Walker on guitar and Japhet Landis, as always keeping it all in time, with the ghost of Beau Velasco giving this all his blessing in this pristine venue, singing songs in DC extolling the virtues of PMA in a style Bad Brains wouldn’t be mad at, it felt right. Something about attempting to cause mayhem here made all the sense in the world.

Yeah, when Johnny walked on the bar and took swigs of bottles of booze, or swung like a spider monkey from the exposed pipes over the stage, stage dove into a small pit of gleeful moshers or invited us all onstage for a Nirvana cover singalong, it was fun. Simple, basic and real, a reflection of the ethos that the U Hall has set out in the first two months of its existence.

The concept of reviving the DIY afternoon matinee punk show in DC has merit. Mother’s Day was absolutely the worst day for this event, as likely had it been on another Sunday afternoon, it certainly would have been better attended. But as a test run, this was phenomenal. TGRIOnline.com’s own Denman Anderson staged a one man junta and infused the event with his own brand of true school punk enthusiasm. Yes, I know that people don’t feel the need to go out to either No Control at the Black Cat backstage or Fighting the World at Little Miss Whiskeys, the two punk, metal and hardcore parties that he spins monthly. Electro, funk, soul, disco and house are eminently more danceable. But just watching Denman have more fun playing a rock set than should be allowable by law is a draw unto itself and his love gives you reason to love what he’s playing. It’s an ultimate symbiosis, and may provide a vehicle to further marry the punk and dance scenes on a grass roots level again in the DC area.

Yes, punk rock karaoke (which I think is a terrific concept) was a dud as well, but as an entire event, there is a market, and a necessity for it as a Sunday monthly on U Street Music Hall’s calendar. Yes, I am perfectly aware that the venue cannot be everything to everyone in DC’s history. The jury is still out on live hip hop events. Tabi Bonney and Diamond District may have been a bit too low fi. Insofar as electro leaning rock acts, Bluebrain was okay, but their sound mixing was terrible and they sounded abnormally muddy. Punk, well, it was kinda perfect. The small nondescript stage with a bar across from it, it felt like what Max’s Kansas City probably felt like to many in the Bowery in punk’s heyday. Small, intimate and important.

Not every night at the U Hall has to melt faces or leave feet tired from hours of dance floor demolition. Sometimes you can skank your pain away too. We all have problems. Music, especially when filtered through the blessing of a soundsystem at the Temple of Boom is the best answer. Here’s hopefully to the start of an amazing event.

Salad Days Mixtape Release Party – DC goes harDCore again this SUNDAY @ 3 PM!

4 May

DC STAND UP

This event makes all the sense in the world, and if it isn’t the first total sellout in the brief history of the U Street Music Hall, I’ll be mightily offended.

 Minor Threat, meet major threats behind the turntables Nadastrom and Stereo Faith. Y’all ain’t yeti.

The incredibly dope Cmonwealth x Mad Decent x Nadastrom x Stereo Faith “Salad Days” mix released two weeks ago by Mad Decent Records is as apt and awesome of a portrayal of punk rock as any mix ever created. This Saturday, a gathering of the tribes is taking place at the U Hall, for a most vital event in remembering and celebrating the past, present and future of the punk movement.

In many ways, Washington, DC is punk rock. Ian Mackaye. Henry Rollins. Bad Brains. Minor Threat. Dischord Records. Teen Idles. Fugazi. The lifeblood of the punk movement was as much about San Francisco’s Mabuhay Gardens as it was about Manhattan’s CBGB as it was about the original 9:30 Club. On Sunday, let’s go back. Waaaay back. Back into time.

This Sunday’s matinee show should be, if history were to be followed, at Food for Thought. However, it’s now at the Black Cat instead of in Dupont Circle, and something tells me that Embrace may not be able to make the show. However, this will be an epic event. DJing will be TGRIOnline’s own punk rock superman Denman Anderson, alongside the harDCore DJs responsible for the fantastic “Salad Days” mix, Dave Nada and Stereo Faith. This is topped off with the event being hosted by John Stabb of Government Issue, “punk rock karaoke,” and a performance by truly one of the best performing punk bands on the planet, the Brooklyn by way of Philadelphia by way of Baltimore by way of Australia MOTHER FUCKING DEATH SET. If not a believer in the Death Set, come out on Sunday, and trust and believe that you’ll know that there’ll be no negative thinking, and that they travel around the world and do what must be done, they’re on a top secret mission and their enemies were wishin’ that they had some bigger guns!

3 PM. Sunday. Awww man.

THE DROP: Mad Decent goes harDCore – Dave Nada x Stereofaith x Cmonwealth present SALAD DAYS

14 Apr

After reading this post, do check Denman Anderson’s piece about the life and times of Malcolm McLaren that we posted yesterday. It’s a perfect addendum.

DC’s punk and hardcore roots are REALLY fucking strong. With Dischord Records being based out of DC, and such iconic bands as Bad Brains, Minor Threat, Black Flag and The Teen Idles having roots in the city, as well as the entire straight edge movement, you really can’t spell harDCore without DC. Actually, even more important to the development of the DJ scene in the nation’s capital than anything is punk and hardcore sounds, as from Will Eastman to Dave Nada to Trevor Martin and so many more, the vibrant band scene spawned an entire generation of DJs who carry forth that DIY energy and punk fervor into what they do behind the decks.

But this mix has absolutely nothing to do with that. Celebrating punk and hardcore music, one of the instrumental building blocks of the nature of music as it stands right now in the 21st century, Dave Nada and Stereo Faith combine forces to give the listener the ultimate punk experience. Nada’s a no brainer here, as he’s the only deep house, electro and Baltimore club DJ I know that I’ve ever seen with my own two eyes rip a tee shirt from another man’s body while DJing (in Austin at SXSW in 2009) and jokingly threaten to throw Steve Aoki from a twenty foot perch (at DC’s club Ibiza, 2009) as well as discuss the merits of “slapping people in the face” with house grooves. Stereo Faith, a punk supporter to the days of the OLD 9:30 Club, is not even arguably the most important link in DC between all musical styles, is presently touring with Tabi Bonney as his DJ as he tours with Wale and K’Naan. He also was the headliner at TGRI’s OVER THE EDGE rock and slam dancing throwdown with Rattler in December.

From the songs, to the fights, to the thumb in the eye and fist to the face attitude of riotous shows, it’s all here. Personal favorites like surf punks the Dead Kennedys “California Uber Alles,” Sid Vicious’ post-Sex Pistols turn as Frank Sinatra on “My Way,” The Misfits “Mommy Can I Go Out and Kill Tonight?” (sampled amazingly on Nada’s “Apocalypse” track), Minor Threat’s “Salad Days,” and The Clash’s “White Riot” give you the best of both very influential sides of the Atlantic for a mix that is not just awesome, but vital and educational as well.

Also, props to local homie Trevor Martin on the cover art. A vastly underrated DJ, and there’s not a more deserving dude of some shine. He DJ’s my 32nd birthday party, WELCOME TO THE JUNGLE, at DC’s Little Miss Whiskey’s Golden Dollar on April 24th.

RECAP: OVER THE EDGE

13 Dec


(ed. note: You may notice there are no pictures here. I’m not apologizing. You missed out. Other sites will absolutely have tons of pics of the tomfoolery and chicanery that went down. But TGRI? We won’t. Because if you were there, the pics will do NO justice, and if you missed it, we’re not going to even feel bad for you in the least. Over the Edge does not pander to anyone. It’s a stiff fist in the face of convention. You’ll just have to show up to the next one. And there WILL be a next one. With DJs Trevor Martin and Andrew Jaye. Date to be announced soon. The excellence of rock decadence is here to stay.)

DC needs another hip-hop / electro night like you need an asshole on your elbow. With that in mind, TGRIOnline.com brought together DJ Stereo Faith, DJ Trevor Martin, and the boys from Rattler for a night of rock revelry at Asylum. This recap took a little longer than usual to write, mainly because my ears finally stopped ringing, but also because I’ve just recently been able to piece together the unabashed hedonism that went down on Thursday.

Ever notice that Stereo Faith’s Twitter photo is Ian Curtis? Or that Trevor Martin looks more skate punk that crate digger? There’s a reason for that. Apart from being two of the most cutting edge DJs in the DC scene, they really know classic rock – not the Hits of the Seventies Classic Rock Radio variety, but the notes from the underground that fermented in clubs, basements, and garages in Detroit and NYC. As always, they were on-point, perfectly channeling the crowd’s energy right back through the speakers.

The crowd packed the upstairs bar at Asylum early, drinking cheap whiskey and PBR (without irony), before The World’s Greatest Band even showed up. So by the time Scott Rattler hopped on the bar to eat a beer, the promised “excellence in rock decadence” was in full effect. Good news: Rattler is just as big a spectacle as hosts in the crowd as they are as rock gods on stage.

There were beer bongs. There was leather. There was moshing. And while “up to eleven” has become the ultimate rock joke / cliché, it was damn loud – the proper way to listen to bands like the Stooges and the Misfits. To say that the crowd was appreciative is an understatement. For kids that grew up scrawling band names and anarchy symbols on their Chucks, wearing a lot of black, and trying to live a rock and roll lifestyle before they could drive, Over the Edge was a big slice of nostalgia. The way some people react when a DJ plays “Juicy” is the way I react when I hear “Kick out the Jams:” pure sing-along, dance-along elation.

For a party inspired by the cult film of the same name, how do you top what happened on Thursday night? Add some grunge to the mix, and do it all again next month. FUN FACT: the music video that launched a thousand flannels, “Smells Like Teen Spirit,” is based in part on Over the Edge. So if you were 9 when Kurt died (like me), come out, lose control, and go over the edge.

A open letter regarding "OVER THE EDGE" this THURSDAY night at Asylum!

9 Dec

Dear readers:

A few notes about Thursday’s event.

“Over The Edge” is the first event solely promoted by True Genius Requires Insanity. As always, being that it’s originated from this site, there’s a good reason why it’s going to be done a bit differently.

This party has no guest list. The price is $5 because, well, it’s fair, equitable, and not going to leave people unnecessarily getting dollar bills back for change. There will be no haggling over getting on, being cool or being superior. Sure. Rattler’s gonna have a VIP area. Well, they’re Rattler. If you’ve ever seen Rick, Scott and the boys live, that’s just there to protect the universe from exploding from when they start getting awesome. There’s an issue in DC these days. We claim to be so many things that we’ve forgotten about just letting go and having fun. Parties have become a dime a dozen in the city, and can be found everywhere, with roughly the same music, the same style, the same ethos, with the same result. I’m just saying, DC’s getting pretty great, but it’s time to move things in a bit of an opposite direction for a bit before we start to become amazing, yet somehow expected and stale.

That’s what we’re doing here. This is all rock, all the time. No remixes, no electro, no dubstep, no Gucci, no Guetta, but definitely a possibility of Gene. Gene Simmons. Of KISS. Or G.G. Allin. Rest in Peace. Rock music is the backbone of Washington, DC. Before Wale started chillin’, Bad Brains and Minor Threat were thrashin’ at the old 9:30 Club. I’m not trying to say we’re going old school, I’m just wanting to make sure DC doesn’t forget its roots. Stereo Faith and Trevor Martin know exactly what I mean, and are going to MURK SHIT on Thursday night.

If afraid of rock music, this is an introduction to it at it’s best, finest and purest form, with people who for the most part, would live and die for it. This will be the excellence of rock decadence. There will be moshing. There will be air guitars. There will be impromptu karaoke. There will be copious alcohol consumption. I hope there will be no blatant use of hard drugs. But, on the flipside I actively encourage the sight of hot women blatantly looking hot and behaving hotter.

And I hope there will be you. This is the dawn of the most fun the city has seen in ages. Or, if you get it in like I do on a weekly basis, this will be the best Thursday you’ll have all month.

OVER THE EDGE is THE party.

Sincerely,
Marcus Dowling
Executive Editor, True Genius Requires Insanity