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Being a true dance diva in a market driven by hackneyed pop confection is a difficult job, but somebody’s gotta do it. That job falls to Melisa Young, aka perpetual underground Chicago star Kid Sister. Chicago house isn’t exactly a mainstream trending style of music. Unlike electro, Chicago house is not a hard sound with basic dance floor motivations. Chicago house grooves and jacks, and is filled with intricate melodies that rely on soul and disco. Pop trending electro takes cues from Baltimore club music, a Chicago house derivative, but a harder and edgier breaking sound. As well, electro owes a great deal to elements of hip hop, trance and a much more basic melodic structure.
Kid Sister’s “Pro Nails” album, in trending far more towards traditional dance than electro pop was met with tepid commercial acclaim. Yes, the Swedish House Mafia did give the album a boost an expected hit with “Right Hand Hi,” but, in being a formula breaking outlier with classic roots, Kid Sister’s success is a much more underground trend waiting for pop to meet her than anything else. There’s a certain applause worthy bravery in taking this stance, however, things may be looking up.
The most popular underground DJs in the UK right now don’t play dubstep, two step, grime or funky. They are native born Chicagoans like DJ Nate who play Chicago house derivative Chicago juke. Kid Sister’s “Pro Nails,” a juke track. Her track “Switch” from her album, juke as well. Given how quickly UK trends cross the water these days, and the intellectual quotient of Fools Gold Records, I tend to believe she’ll be okay. As long as Kid Sister can continue in the interim to be a fantastic live performer and charismatic entertainer, her time is not too far away. Tracks like DJ Mehdi and Riton’s “Do! Do! Do!” have a certain minimal yet excitable Chicago feel that allow her to continue to feel comfortable in a sound that, like Loleatta Holloway before her, will hopefully allow her the ability to cash in for deserved pop success.